In the high red wall of the Forbidden City, there is an area that is not open to the public today, which is called the "Cold Palace" by the square. This unpretentious courtyard is the only place in the whole office area of the Forbidden City with access control. Its Chinese Ministry of Science and Technology is like a "scientific hospital" for cultural relics restoration. In addition, it is the cultural relics lying in the warehouse or displayed in the exhibition hall. It is another world where generations of restorers have brought all kinds of cultural relics back to life

Pruning is a major event of the Ministry of Science and Technology of Wenbao
Every year in May and June, when the apricot trees of the Imperial Apricot Tree slowly turn into sweet, soft and honey yellow, it’s time to play apricot happily.
Because it coincides with the anniversary exhibition of the Palace Museum, each group has a large number of restored trees, ripe apricots and people picking them all over the place, attracting dark ants.
A quarter of an hour before the shift in the morning, the girl in the leading office of the woodwork group took out the white paper to cover the cultural relics, and then climbed the ladder to pick it. It was too strong to pull a branch and shake it for a while, and then it fell to cover the cultural relics. No matter how tough the white paper is, it can’t carry the rhythm.
"hissing"
"Said the imperial apricot."
"You can smell apricot fruit through the screen."
"Ah, ah, ah, ah, ah, ah. The century-old apricot is so delicious."
"I’m going to the Forbidden City class just for this apricot tree."
"envy, a lot of melons and fruits smell like paradise. if only I could work in this environment."
"Looking at the office table, the cactus silently left tears."
Looking at the picture, everyone was laughing and sharing apricots, but they also came specially to ask for them. This is also a rare moment of laughter and laughter in the Third West University. With the arrival of o’clock, it seems that when people are enchanted, people freeze up and the audience can envy and look at apricots to quench their thirst. At this moment, they really started to go to the Forbidden City. However, this job is really not something that ordinary people can do.
As the documentary went on, the audience realized more young people who inherited the skills of the Forbidden City.
Qu Feng from Woodwork Group graduated from Lacquerware Group of Central Academy of Fine Arts Min Junrong from Tsinghua Academy of Fine Arts; Kong Yanju and Qu Feng, sisters of Baibao Mosaic Group, also graduated from Textile Restoration Group of Central Academy of Fine Arts. Yang Chen finally graduated from China Opera Academy, the highest institution of China Opera, but she was not beautiful.
"Oh, my God, have you booked the beautiful beauty?"
"I’m ready with my old resume. You give me this."
"It’s not that Xueba can’t get in. Oh, my God."
"Do you want to be so cruel?"
"I knew it wouldn’t be that simple"
At this moment, fans deeply feel that it is very hurt to learn from the bully.
The woodenware group and the old master Shi Liancang lacquerware group are all retired. Xiaomin and the big brother were taken by the old master, but the textile group was a bit miserable and had to rely on themselves soon after its establishment.
This doesn’t make the audience worry about the problem of not picking up the yellow and green, but this idea soon swings away.
Textile girls can make noise and chat about trivial matters of life, complain about small rules such as not painting nails and not wearing perfume, and also study quietly. Now even in Suzhou, not many young people are willing to learn silk reeling technology.
Xiaomin’s tree, whose flowers and fruits were "clicked" by the big brother, bickered with the big brother to get better repair materials, and he could also climb mountains and follow professional lacquer farmers to collect natural lacquer.
Whether it’s an inch of silk and an inch of gold or a hundred miles of lacquer, the restoration and protection of cultural relics has never been simple.
Seeing the quality of these young people, what are you worried about? The ingenuity of veteran artists has not been lost at all. This is Cheng.
"Everyone has a different understanding of cultural relics. It’s the same with temperament and cultural relics. Actually, it’s the same with people. You see, from the earliest time in the past, we said that jade has liu de jade and jade is a broken stone. What virtue does it have? But people in China can see the virtue from their faces. People in China make a chair just like being a person. He is a personality to ask for this chair.
The ancient people in China paid attention to things, that is, they looked at things and things themselves. I’m telling you, these things in the ancient Forbidden City were alive. People always tried to integrate themselves into them in the process of making things. Although they all wanted to leave something in the world, they felt that they were valuable. Many people generally thought that cultural relics restorers were valuable because they had repaired this cultural relic, but it was not necessarily such a simple aspect.
In the process of repairing this cultural relic, he communicated with it, and he realized that he had integrated himself into it. Cultural relics are dead, cultural relics are needed, and the purpose of cultural relics is to let them broadcast culture, right? It is not to say that cultural relics are to keep a thing there, which is of little value. "
When Qu Feng was just like Lao Chang, he seemed to have no excitement, and he casually engraved the Bodhisattva’s calm rambling about his philosophy of life, his heart was shocked.
"That’s great."
"Master wisdom"
"I’m going to cry when I speak too well."
"Listening to your words is better than reading for ten years."
"I forget things when I see people."
"It’s terrible that Central America has culture."
"Ha ha ha ha this is the real Buddha youth."
"Educated"
It is said that the Chinese musical instrument Sese has repaired the falling part of the treasure chest of the fan people, and the woodwork group has also been completed. Qu Feng has asked colleagues to find out where the exhibition has been repaired. Yang Chen has repaired the door-to-door greeting strip and has been exhibited in front of tourists, showing it and remembering the glory.
I believe everyone’s heart will be deeply shocked when they see those heavy objects on the screen that have been dusty for hundreds of years and are seriously damaged in the hands of cultural relics restorers.
There are green plants in the three small courtyards in the west of the mysterious Forbidden City, where there are woodenware groups. Shi Liancang’s father planted jujube trees, Jinshi group, Xiaogang planted lacquerware groups, Min Junrong painted lacquerware groups, Shen Wei corn and eggplant, apricot trees and jujube trees in Qing Dynasty.
The cultural relics department with rich ecology in the small courtyard must work on time at five o’clock. After work, it is left to small animals, perhaps the descendants of royal cats, stray cats, weasels, and wooden groups to adopt various birds
Every day, Master Wang Youliang, a bronze restorer, will take on the responsibility of feeding cats, and the title of imperial shovel officer in the court will not run away. Although Qu Feng, a woodwork group, seems to complain that he has taken in many animals "others have raised them and don’t give them to us, and it will become a burden to raise them slowly", he will not forget to carry the birdcage back to the house during class, otherwise "you may see a few hairs the next day" is disrespectful.
Day after day, year after year, generations of cultural relics restorers here watched plum trees, jujube trees, flowers and fruits, sumac trees grow up slowly, rode bicycles and wandered past those magnificent palaces, passed apricot trees, picked one up and wiped it in their mouths, and then went to the yard to feed the imperial cats to see the flowers falling and the clouds rolling and the clouds relaxing.
Time passes slowly in the Forbidden City, but people in the Forbidden City are always young.
Chapter five hundred and nineteen When I was here
Everyone knows that it’s not bad to be labeled as DreamWorks. It’s always been recognized by fans that a dreamer is a genius.
However, fans still didn’t expect to be surrounded by such a slow-paced and flat documentary, and they didn’t expect that the seemingly flat narrative method of this documentary could make them cry.
Weibo is very lively, and the topic of fans constantly makes people in the industry sigh that they can become the absolute idol of the younger generation. suluo really knows the young people best.
The Forbidden City is a big theme, but it has abandoned the grand narrative in a different way, and recorded the daily life of the cultural relic restorer, reducing the "cultural relic doctor" with stunts into an ordinary person who looks ordinary but younger and more ordinary, so that all young audiences can’t stop.
"This documentary has a charming temperament and can’t stop."
"Making this boring thing of repairing cultural relics interesting and full has made us understand this business and tapped the lovely side of the Forbidden City that is often overlooked. This documentary is great."
"It’s boring to repair cultural relics, so I’m super yearning for this job, okay? I never work overtime from five to five to amuse the royal cat. I have nothing to do. I’ll take a job and drive the Shoukang Palace when it closes on Monday. It’s exciting to think about it when four people ride a bicycle in the Hall of Supreme Harmony Square."
"It is enough to rely on so many reasons to never work overtime. Cheng Xuyuan cried in the toilet and stopped talking. The project leader came to urge the progress again."
"Poof ha ha ha ha ha"
Contrary to if the national treasure can speak, the narrative technique achieves almost the same effect by different routes.
National treasures and cultural relics are on fire, and so are the doctors who treat national treasures and cultural relics. Not only those young people born in the post-1990 s noticed that the original craftsmanship of China was so exquisite and charming, but they were amazed at the "big vision", and those "cultural relics doctors" were deeply impressed by their self-cultivation, demeanor, superb technology and calm and far-reaching mentality.
The second screen was full of "I am distressed by Xiaomin Jujube Tree", "The concentration of Kong Kong painting is too charming" and "What? There is no Miss Ji Dongge". A fire appeared at such a time, and a name did not appear in the subtitles, which was stripped out by enthusiastic fans.
Reading in sections 325
Of course, V must be Qu Feng.
"The first representative of Buddhist youth"
"Philosopher of the Ministry of Science and Technology of Cultural Protection of the Forbidden City"
The number of fans in Qu Feng’s "Life Perception" circle can compete with his popularity. At present, there is Master Wang Jin, the male god of the Forbidden City.
The excitement continues to be hotly debated among fans. The next night, I repaired cultural relics in the Forbidden City and released the last painting for restoration, copying and printing.
If the first main perspective is the old master’s second main perspective, the younger generation of the Forbidden City restorers are restoring through paintings in the third quarter, which is a silent summary of the family fun of cultural relics restorers in past dynasties.
The audience was surprised that the core of painting restoration method was "washing, uncovering and mending" before they knew that some paintings could be washed and uncovered directly in water.
The most interesting thing is that in this process, not only the restorers are talking about cultural relics, but also the paintings are the most difficult to preserve historical value, which have been restored by several restorers since the past dynasties.
Famous calligraphy and painting collected by the royal family have been restored for thousands of years, usually once every 100 years. From the way of pasting folding strips, we can see the craftsmanship of restorers in past dynasties.